Sunday, May 10, 2009

Elegy

Elegy
Director: Isabel Coixet
Starring: Penélope Cruz & Ben Kingsley
Genre: Drama
Rated: R
Tag line: Love has no boundaries.
Amazon rating: 4 1/2 out of 5 stars
My rating: 5 stars

Plot: Professor David Kepesh, lecturer and culture critic, finds that his life for bachelorhood (just sex) has been thrown in disarray when he falls in love for his student, Consuela Castillo.

Review: I read The Dying Animal by Philip Roth, which this movie is based on, a few years ago. Roth is an excellent writer, one of the best and one of my favorites. He is relentless, doesn't apologize for getting the truth out. His words are poetry and vulgarity in one. When I learned it was being adapted into a screenplay, I had my doubts. While I love Roth's work, I feared that something wold be lost in the process. Like all books that are adapted, Roth gives you insight into the mind of his characters - you understand them, whether you choose to love them or not. He isn't asking you to forgive them for the trespasses, he's just letting you know. And the David Kepesh stories were the first ones I've encountered - The Breast, a Kafkaesque novel where our "hero" transforms into a giant breast; The Dying Animal, where Kepesh is faced with the dilemma of actual affection for another person, rather than just wanting her around for the sex; and The Professor of Desire, which ventures into his life's journey, from the start.

But Elegy is one of those films that take your breath away. Ben Kingsley, a brilliant actor, one I've never imagined to take the role of Kepesh, but nonetheless, does an excellent job performing, takes the lead. He is the most convincing man for the part. Not because he looks like a tom cat, but because he can get into the emotions of a man stricken by Cupid's arrow. Teamed up with the ever enchanting Penélope Cruz, and you see nothing but chemistry on screen.

Dennis Hopper, who plays poet George O'Hearn, Kepesh's married tom cat friend, delivers an extraordinary performance - as if anything less is expected from such a great actor. Also convincingly is Peter Sarsgaard, who plays Kenny Kepesh - the grudge-holding son of our main character who too finds himself in the lap of adultery even though he'd held that against his father.

With such a wonderful cast of actors placed up in front of us and excellent writing and directing, it's not wonder that Elegy is one of the few films that can stand alone - no need for comparison - to their novel originals. It's a love story, it's a story of lust. It's erotic and charming, sensual and caring. It's a movie you will not regret watching.


Establishing the "21st Century Breakdown"

21st Century Breakdown
Artist: Green Day
Label: Reprise Records
Tracks: 18
Amazon's rating:
My rating: 4 Stars

Lyric quote:When you’re at the end of the road/And you lost all sense of control/And your thoughts have taken their toll/When your mind breaks the spirit of your soul/Your faith walks on broken glass/And the hangover doesn’t pass/Nothing’s ever built to last/You’re in ruins

Thoughts: Back like an American revelation, Green Day does not disappoint. After having lost points with some long term fans, while picking up others with their 2004 release, American Idiot, Green Day has grown up, set down some serious roots and if you don't like it, then too damn bad.

Nevertheless, 21st Century Breakdown isn't American Idiot, nor does it attempt to be. Instead, the punk trio have taken their more mature stance - still mixing it with a little bit of that wit and humor we all fell in love with them for - and created this beautiful masterpiece of hardcore lyrics, fast rifts and acoustic sounds. Don't call it a sell out, call it a growing up: The trio has done something very few bands have managed to do - evolve from their former roots as all their original fans are no longer teeny boppers, popping pimples and feeling rejected. They're not adults with children of their own, trying to manage a life in these hard times. Green Day delivers the much needed break from the real world.

The Lucky Ones

The Lucky Ones
Director: Neil Burger
Starring: Tim Robbins, Rachel McAdams & Michael Peña
Genre: Drama, Comedy
Rated: R
Tag line: Three strangers with nothing to lose. And everything to find. & Sometimes losing your way home means finding yourself.
Amazon rating: 4 1/2 out of 5 stars
My rating: 5 stars

Plot: After returning to the country to see all their flights have been canceled, three US soldiers journey on a cross country road trip where they not see the country they're fighting for, but also finding themselves.

Review: Being stranded is the metaphor. It means we are stuck in our situations, with no way out. It means that we are lost in this world, watching the daily grind pass us by without any real hope that we will one day belong again. It's very much what many of our service men and women face the moment their tour is over, or when on leave. It's the question of what now. It's the honest to god fear that we do not know which move to make next, or what we can do with our lives. I can only imagine it is much worse for those who have been gone for months only to be in a country that does not want them, and will do anything to remove them from their midst. So what happens after the war? What happens when they come home? What happens when these brave men and women find themselves in a strange land they once called home?

Finding himself with a Jacob Barnes wound, T.K. Poole (Michael Peña) lies in a hospital room in Germany wondering what next. His tour - his third tour - is far from over and being sent home is both a blessing and a curse. A blessing because he'll have time off from the havoc that has become the Iraqi war, but a curse because he finds himself less of a man. Colee Dunn (Rachel McAdams), shot in the leg, has experienced a near death experience during the war which cost the life of her friend, whose guitar she totes around. Having had a falling out with her own family, Colee hopes that the guitar she now possesses will somehow connect her with them. Fred Cheaver (Tim Robbins) is a through with his tour, heading home for good. Suffering with a back injury by a fluke accident that saved his life, his only wish is to see his family again, be in the arms of his loving wife. The three believe to only have one thing in common, survival of a war that is both loved and hated by the country they've vowed to protect.

But T.K.'s injury mentally cripples him. Rather than seeing his 30-day leave as something of a blessing that he can spend his off time with his girlfriend, he heads for Vegas in the hopes that the women who handle "special cases" such as his can revive his manhood, sealing the deal that he has with his non soul mate. Fred is stricken by the reality that nothing is as he left it. His wife wants a divorce; his son has a chance at Stanford, but cannot foot the rest of the bill, choosing instead of enlisting in the army. And Colee is constantly being reminded by her male compatriots that her illusion of a perfect reuniting with a family she's never met before is just a fabrication of a little girl's dream and a pathological liar's tall tales. So that scene in the airport, where they find themselves stranded in New York stands for more than just being stranded in an airport, obviously.

The only logical solution for their strandedness is to escape - to ride off into the night, heading for St. Louis where the slew of bad news beings. There is no hope in this story. There are no true happy endings. All we have is one misfortune after another, allowing for each of the three major characters of this heartfelt, American movie, to change - to see themselves for the first time, not as soldiers, not has husband, father, son, daughter, lover or any other social clique we are placed in, but as themselves.

The actors are realistic in the roles. Rachel McAdams delivers a lovable Colee Dunn; Michael Peña creates the mean-spirited, bitter, yet caring T.K. Poole; and Tim Robbins, the man who has the hardest part, in my opinion, brings the hopeful and heartbroken Fred Cheaver to life. It's a movie for anyone who has ever served, or has family serving to enjoy. And the rest of us to grow with.



The Go Getter

The Go-Getter
Director: Martin Hynes
Starring: Lou Taylor Pucci, Zooey Deschanel & Jena Malone
Genre: Drama, comedy
Rated: R
Tag line: Life doesn't come with a road map.
Amazon rating: 5 out of 5 stars
My rating: 5 stars

Plot: Deciding to steal a car, Mercer goes on a journey to find his half brother Arlen. During the trip, Kate, the owner of the car he has stolen, stays in touch with him via her cell phone, which was also in the car.

Review: " I always had a problem with Huckleberry Finn. I mean, I liked the story, I read it, but the river... it made me feel stuck," Mercer starts the film with words that may reflect our young adult lives. We are born. We go to school. We have small responsibilities, but inevitably we are stuck.

So what makes this film so special? Clearly, we have been down this path in the past with several other movies that deal with adolescent and post adolescent "stuckness." What separates The Go Getter from other films of the same trade? The answer's quite clears: Mercer's journey doesn't involve the typical teen film fodder - he isn't on a quest to get laid, nor does he intend to do drugs. He's on the quest to find, not just his older half-brother Arlen to tell him that their mother has died about nine months prior, but to eventually find himself and his place in this god-ridden world.

Attempting to mold the past into the present, Mercer questions what would have happened if he stayed near Reno where Joely was. What would happen if he returned to the place and find her - would she fall in love with him? Would he fall in love with her? And what of his brother? And the mysterious Kate whose car he has stolen? It's just a journey of self realization, but a journey - the passage - the rite into manhood, sans sex (even though, sex is involved).

What gives the movie its icing is the incredible cast. Jena Malone as the slutty, drug user Joely who seduces Mercer in every which way in order to gain his trust and eventually use him for her own purposes. Zooey Deschanel as the beautiful nice girl next door persona of Kate; those innocent wide eyes, caring and alluring in the same moment. Her voice as she echoes through Mercer's long conversations at night, his remembering his journey to her. And not to mention Lou Taylor Pucci as the ever lost, ever wandering and disappointed Mercer, whose original reason to leave his prison of Eugene, Oregon to seek out his older half brother is lost the moment he begins to fall in love with Kate and in lust with Joely.

It's Almost Famous without the rock stars, the cheesy one liners and Jimmy Fallon. It's White Oleander without the screwed up mother, the sexual history and the drug addictions. American Pie with a greater purpose and a better rite of passage. What separates The Go Getter from its brethren is the honesty, its charm and its universality of finding ourselves by getting lost in the world we thought we knew.


Sunday, May 3, 2009

"Don't Look Back" indeed.

Rest Stop - Don't Look Back
Director: Shawn Papazian
Starring: Richard Tillman, Jessie Ward, Graham Norris, Joey Mendicino, Julie Mond & Brionne Davis
Genre: Horror, Suspense, Thriller
Rated: R (Unrated DVD)
Amazon rating: 3 out of 5 stars
My rating: 1 star

Plot: A year after Jesse and Nicole vanish, US Corporal Tom Hilts ventures off with girlfriend, Marilyn, and best friend, Jared, to find the missing couple. But things turn sour when the man in the yellow truck begins to hunt them down.

Review: Jaimie Alexander didn't return to fill in the shoes of Nicole Carrow for this movie, but Joey Mendicino does returned as tortured soul, Jesse Hilts. At least that's a plus, right?

Maybe it's because some sequels don't work. Or maybe it's because when introducing the origins of the man in the yellow truck and the family in the Winnebago, it sort of creates an air of confusion. No matter how much the first movie was worth a viewer's while, this one completely bombed.

Julie Mond, who takes the place of Alexander in the film, recreates Nicole with horrible acting, expressionless remarks and fails to keep the three-dimensional character that was created in the first part. Richard Tillman, as older brother Tom, does his best, but in the end Tom is unbelievable, unloveable and downright a shell of what could've been done.

Sequels to movies like Rest Stop don't work, never have and never will. Because sadistic killers who kill for the pleasure of killing, shouldn't be given a deeper reasoning. One should leave it to the Hollywood elitists and take pleasure in the fact that your movies don't suck as much as theirs. Got it, John Shiban?

Monday, April 27, 2009

How long until ABC Family evicts its "Roommates?"

Eviction notice please be served!

I hoped that the show might be good because the classic sit-com has become an endangered species - you know the sort, the one that's filmed in front of a live studio audience or at least leads us to believe that it is by using a laugh track - but rather than aiding the decaying idea, Roommates is digging the grave.

The situation comedy starring Sister Sister's Tamera Mowry - what happened to the other twin, and for that matter the little brother? - revolves around the lives of four roommates and their love lives and a not-so-secret crush. However, the show is riddled with 1990's sit-com cliches and hemorrhaging crappy plot lines and premises. Is there hope for the classic sit-com set up? With Roommates sticking around, I'm sure that it's as good as dead.

The show also stars Tyler Francavilla, as Mark who is "secretly" in love with Katie (Dorian Brown); Tommy Dewey as wise cracking, sex-crazed, typical man's man, James; and David Weidoff as Thom, Mark's odd-ball former roommate that adds nothing to the "comedy" except witty one liners and cliched situations.

It's like Friends only no one's watching and it sucks completely. If the show makes it to a second season, I'm going to start judging this country's funny bone.

Lacuna Coil introduces us to the "Shallow Life"

Shallow Life
Artist: Lacuna Coil
Genre: Hard Rock, Metal
Label: Century Media
Tracks: 12
Amazon's rating: 3 1/2 out of 5 stars
My rating: 3 stars

Lyric quote: "The struggle within/Now I understand/Freedom begins/When you get out of the cage/You've built." from "Wide Awake."

Thoughts: Where has all the good music gone? Down into the trenches of this ongoing battle for radio time, that's where. Lacuna Coil returns to the scene with an explosion so loud that it'll leave pussies like Gerard Way clenching onto their mother's teat while emo fans run in fear. Shallow Life reminds me that there is hope out there for the real music.

As always, Cristina Scabbia's vocals wail over heavy riffs, evoking pain, hate, anger and love in a single lump. Along with Andrea Ferro's male vocals, the music comes alive with edgy glory.This twelve-track album is worth cash dished out, if only to celebrate the return something as powerful and meaningful.

While Scabbia has announced on Rock Sound that "It's different, but it's our style. We haven't done anything absolutely different from our style, because that wouldn't be natural, that would be weird - it wouldn't be us. The songs are definitely more powerful, more complete, more intense, more straight-to-the-point," one will notice that they have taken it up a notch.




Sunday, April 26, 2009

Fast & Furious
Director: Justin Lin
Starring: Vin Diesel, Paul Walker, Michelle Rodriguez & Jordana Brewster
Genre: Action
Rated: R
Tag line: New Model. Original Parts.
My rating: 4 stars

Plot: Taking place five years after the original, The Fast & the Furious, Dominic Toretto returns home when news reaches of him of a fallen friend. Vowing revenge, Dominic is thrust back into the life he left behind, having to turn away old grudges of FBI agent and former friend, Brian O'Connor. As a team, both men hunt down a common enemy.

Review: Like many of you, I'd given up hope on The Fast & the Furious franchise after seeing 2 Fast 2 Furious. The latest installment was a thorn in my spine the moment I heard the original team was back. That can only mean one of two things: The movie can revive the dying franchise that had to suffer through horrible sequels that, bringing back enthusiasm into the movies, not using recycled material for the sake of explosions; or it could bring the hatchet down, leaving the series crawling on its knees, dying, hoping for some sort of mercy kill that Hollywood refuses to give other franchises that have suffered badsequelitis (ahem, Saw!)

Fast & Furious, however, offers us something its predecessors (meaning just the sequels) failed to deliver: Good acting. Paul Walker and Vin Diesel have a good chemistry; Michelle Rodriguez and Jordana Brewster offer up even better chemistry when mixed in with the male leads. Even though most will say that the movie is a mental masturbation - don't get me wrong because with all the explosions, the fast cars, the hot babes, the fighting, shooting, the car chases, reunited old characters, exciting plot line and so on, it is very much a mental masturbation - but to call it anything less than a stellar movie is just begging for something that will never be, a sequel that will out live the original.

Before I get too much into it and wind up spoiling it for you who still haven't seen it - it's been a month guys, what are you waiting for? - the one thing that truly disappointed me was the half promise stated in the tag line: "New model. Original parts." While the gang is all present in the movie, the events leave on member sitting out for most of it due to the circumstances that I will not get into. You'll just have dish out the bucks to see it for yourself.



(photo source)


The Children

The Children
Director: Tom Shankland
Starring: Eva Birthistle, Stephen Campbell Moore, Jeremy Sheffield, Rachel Shelley & Hannah Tointon
Genre: Horror
Rated: UK 18 (so I'm assuming R)
Tag line: You brought them into this world. Now ... They will take you out.
Amazon Rating: 4 out of 5 stars
My Rating: 4 stars

Plot: On Christmas vacation, a family of children begin to turn on their parents. A simple way of describing it would be think Children of the Corn meets 28 Days Later, only without the zombies.

Review: I don't think a movie I liked could irritate me so much like The Children did. It starts off rather relaxing, a lot of whispering which made the film hard to hear at times, but it did pick up as it progressed due to the fact that we had to higher the sound and children started screaming (which was the irritating part).

Taking much from what I saw on the Internet, I already knew the plot to the film, the children were going to kill the adults not unlike something out of Stephen King. But wait! There's a twist. And what a twist it is because the children aren't consciously killing the adults but are motivated by a symptom of their disease. Each child gets sick, and it appears the older they are the longer it takes before their immunity breaks down and they go psychotic on their elders.

What looked like an isolated incident turned out to be wide spread when a carefully planned "accident" leaves on father dead and a pregnant mother screaming in pain as her leg snaps, bone tearing through her flesh. There comes a time when you have to start to wonder why aren't these parents reacting to any of the strangeness that is happening with their children.

Even though the movie leaves you on the edge of your seat, and in some cases completely annoyed by the fact that you have no idea what the virus is or where it came from, or if it's even the "real" reason why the children are revolting, the acting, the story the suspense is all perfect - no Hollywood cliches here! It's a must watch, one that you will remember in the weeks to come.


Rest Stop

Rest Stop
Director: John Shiban
Starring: Jaimie Alexander, Joey Mendicino & Joseph "Joey" Lawrence
Genre: Horror, Suspense Thriller
Rated: R (or Unrated, depending on which you get)
Tag line: Dead Ahead
Amazon rating: 2 1/2 out of 5 stars
My rating: 3 stars

Plot: Aspiring actress, Nicole Carrow runs away to Los Angeles with her boyfriend, Jess Hilts. Upon their travels, they encounter a man driving a yellow truck who begins stalking the couple. When they come to a rest stop 60 miles from anywhere, Jess is kidnapped by the sadistic driver leaving Nicole to fend for herself. Throughout the night, she is mentally tortured by the man in the yellow truck causing her to lose herself in delirium. In end, one can ponder if Nicole isn't just haunted by her own feelings of guilt.

Review: A huge leap away from her Kyle XY character, Jaimie Alexander (yes, she has a nude scene) delivers her full acting potential, working with what she was given.

The plot of the movie reminds me a lot of that Paul Walker film about the sadistic truck driver, just with less driving and with more phantoms in the night. The story's riddled with Hollywood cliches, leaving the view disenchanted at times. However, rather than to toss this DVD aside to the do not watch list, leave it in queue on your Netflix because you just might be in for a treat.

While several have grunted that the movie was terrible, one has to keep in mind that the "internets" are a shallow group, not withstanding the intellects of others. Most of them want to be served a storyline that makes sense, which they can decipher before the end credits roll. Rest Stop is definitely not the brain candy they seek, nor is one that anyone who wants the Hollywood "five-paragraph" story that tells you what's going to happen, what's happening when it's happening, and what just happened.

Rest Stop leaves you in riddles, trying to figure out what exactly is happening and what is merely the psychosis of a guilt-ridden girl stranded in the middle of nowhere. Or perhaps they are simple holes in the plot, left unsuspectingly by an amateur film director slash writer, which Shibon is not.

Watch it or don't, it doesn't matter because in the end we all get what we deserve.


Sunday, April 19, 2009

Latest Fox Show Should Take Own Advice

Not sure if I should be surprised that the latest addition to "Animation Domination" sucks more than anything that it has thus far released. Greg the Bunny, please come back!

Sit Down, Shut Up is set within the halls of a school and revolves around the lives of the faculty who run it - or attempt to, anyway. Within the walls of the school is a masculine boy-hungry librarian, a effeminate bisexual theatre teacher, a bumbling couch who's in love with a holier-than-though, moron Christian stereotype (is she a teacher?) Miracle...I think you get the point.

The show won't be on long. And if it is, then I'm going to have to start questioning the intelligence of those who kept it on. It's insulting to our intelligence that Fox would think to even green light the school. The pilot alone is everywhere, introducing each character and their "catch phrase," instilling their stereotype and characteristics, giving a crumbling premise. It makes me wonder if Fox is using this show as a replacement for King of the Hill, whose cancellation was announced last Fall.

Animation Domination, which lineup includes The Simpsons, Family Guy and American Dad, is expected to gain another show this Fall, a spin off of Family Guy - The Cleveland Show. I'm wary that Fox might be losing its touch, however the success of the latter two just might prove that a third just might be as funny. I just wonder what will replace Sit Down, Shut Up when Fox finally comes to its senses and axes it.

Monday, March 30, 2009

Made in America

We're From America (Single)
Artist: Marilyn Manson
Genre: Shock Rock/Hard Rock/Metal
Tracks: 1 (free download)

Lyric quote: "We don't like to kill our unborn,
we need them to grow up and fight our wars"

Thoughts: "We're from America," Manson belts on his latest single of the same title. After a pause to pursue his film making career, Manson has released a gem of a song that puts into question just what this country is made of. Being no stranger to the "political" song, Manson lends his opinion to us about this country's spiritual warfare. With lyrics like "We're from America/it's where Jesus was born" and "We don't like to kill our unborn,/we need them to grow up and fight our wars," Manson evaluates the Christian dogma's hypocritical stance on the importance of life and it's sheer delusion that this country is a god country.

The long awaited album, The High End of Low, will hit shelves on May 26th. However, you can download the single from his website for free.


Saturday, March 28, 2009

What the Watchmen movie was Missing

Watchmen: Tales of the Black Freighter & Under the Hood
Directors: Mike Smith & Daniel DelPurgatorio
Starring: Gerard Butler
Genre: Animation, Short Horror
Rated: R
Tag line: The animated epic that completes the Watchmen experience.
Amazon's rating: 3 1/2 out of 5 stars
My rating: 3 stars

Plot: After surviving an attack by the Black Freighter, a mariner attempts to make it back home in order to protect his family and seek revenge against the demons on board.

Review: There was a great disappointment when I saw Watchmen earlier this month because the Black Freighter wasn't included. I suppose had it been, the movie would've been longer than it was and a lot of you party poopers would've complained even more. However, the movie company did know just how important the Black Freighter is to the story so they did release an animated version of the fictional comic book.

While I still feel the movie should've contained the story, the animated short (it runs about 25 min) does deliver and fanboys shouldn't be disappointed. The grisly animation, horrific gore and tone that Gerard Butler gives us is just how we imagined (or at least I did) the Black Freighter to play out. It's a must watch if you've seen the Watchmen movie or if you're going to see it for the first time.


Rachel Getting Married

Rachel Getting Married
Director: Jonathan Demme
Starring: Anne Hathaway, Rosemarie DeWitt, Bill Irwin, Tunde Adebimpe, Mather Zickel, Anna Deavere Smith & Debra Winger
Genre: Drama
Rated: R
Tag line: N/A
Amazon's rating: 3 out of 5 stars
My rating: 4 stars

Plot: After spending 10 years in rehab, Kym returns home to see her sister's wedding.

Review: Just when we thought that every movie being released would be a remake or a typical Hollywood cliche, Rachel Getting Married reminds us just why we love movies.

While the plot seems a little too familiar, the characters - both the portrayal and their stories - are well rounded. Anne Hathaway's portrayal of ex-drug addict, Kym, strays away from the typical characters she is cast to play (just like she was in Havoc). And while I've never seen Rosemarie DeWitt's acting prior to this movie, her portrayal as responsible sister, Rachel, is beyond any stellar acting I've ever seen.

The story Jenny Lumet wrote is one that will last the test of time. I'm not sure it could have been delivered as well as it had with out the aid of director Jonathan Demme and the excellent cast they chose.

Caveat: While the movie is a must see, several people have complained that the story isn't that great. I disagree, of course, however there were times that the movie seemed to drag - such as the one where everyone is making toasts. The main reason the several nay-sayers - or at least what I believe - is because the story is too realistic for their liking.


Friday, March 27, 2009

Produces Mixed Signals

The Signal
Directors: David Bruckner & Dan Bush
Starring: Anessa Ramsey, AJ Bowen, Justin Welborn & Scott Poythress
Genre: Horror/Suspense Thriller
Rated: R
Tag line: This is not a test
Amazon rating: 3 1/2 out of 5 stars
My rating: 3 stars

Plot: The broadcast of a strange signal through several sources of media turns every day people into psychotic murderers.

Review: The movie is split into three stories, or "transmissions" as they are called. Each story revolves around a particular character in the movie, however all the characters are interlocked so there is some constancy in the movie, though it jumps time lines - think Go rather than Pulp Fiction.

While at first worried this was going to be a zombie-esque movie - so many other people when first seeing the trailer actually thought the movie was based off the novel Cell by Stephen King - I am glad that it wasn't. Rather than seeing several thousand zombie-like humans tearing at each other, eating flesh mercilessly, we are given instead a small group of people - as the movie is about survival, not the "monsters" - hacking away body parts, shooting people purposelessly and bludgeoning with a baseball bat. The exciting part is the fact that you never really know who's been affected by the transmission as they find themselves in the know.

It's also funny at times, which usually doesn't work in these sort of movies - with the exception of those that are meant to be funny (see: Shaun of the Dead). The characters aren't really molded out well with the exception of Lewis (the jealous husband) and Mya (the adulterous wife), but even they seem to be lacking dimension. It also leaves open the plot hole of why some people are inclined to commit murder while others who see the transmission are left with a severe form of psychosis.

Nevertheless, the movie brings you the thrills, chills and excitement that we demand, even though it fails to live up to its full potential. Overall, it's a movie worth watching.

Saturday, March 21, 2009

Twilight saga might be unfilmable

Twilight
Director: Catherine Hardwicke
Starring: Kristen Stewart & Robert Pattinson
Genre: Drama, Fantasy, Romance
Rated: PG-13
Tag Line: When you can live forever what do you live for?
Amazon rating: 4 out of 5 stars
My rating: 3 stars

Plot: Girl moves to new town and falls in love with a mysterious classmate who later turns out to be a vampire. Later on, another group of vampires come into the picture and one of them wants to eat girl. It's that simple.

Review: I came in with a clean slate, per se. I've never read the Twilight books, nor had I any intention of watching this film. However, the hype made me curious so I came around to decide and give it a try. While I didn't hate the movie, I felt there wasn't anything to like either: the characters weren't really molded properly; the actors lacked emotion - any real sense of letting us empathized with their characters; the storyline flopped; the plot felt too familiar and used up (a vampire that can read minds but finds a girl whose mind he can't penetrate really feels like a role reversal of Sookie Stackhouse Series); the climax jumped rather quickly without really any proper set up; or perhaps it's because I'm not the target audience, but my girlfriend's 11-year-old sister was also not impressed by the movie - and she's never read the novels either.

Maybe Stephenie Meyer wrote something better than this and perhaps this isn't what she envisioned her work to be; however, this is what screenwriter Melissa Rosenberg thought it should play out and what the director felt would work. Perhaps it's the fault of the latter two and not Meyer at all, but I feel that is somewhat doubtful.

The bad acting - actually, the lack of acting - has to fall onto the shoulders of the Hardwicke who it seemed couldn't direct the film's actors. I don't want it to sound like I believe Hardwicke can't direct - she did do an excellent job on one of my favorite films, Thirteen - so maybe the fault lies in the hands of the screenwriter.

Because I never read the Twilight series, I can't fully place the blame on Rosenberg's talents - or lack of one, if this is the case. It could be the fact the novels are just "unfilmable,"like so many novels and graphic novels are sometimes labeled.

It may be too late for the sequel for the "saga" as Rosenberg is the screenwriter, but perhaps Chris Weitz may bring something to the film that Hardwicke failed to do so in its predecessor. Only time will tell.



Thursday, March 19, 2009

Heads will Explode!

Punisher: War Zone
Director: Lexi Alexander
Starring: Ray Stevenson, Dominic West, Doug Hutchison & Wayne Knight
Genre: Action, Crime Drama
Rated: R
Tag Line: Vengeance has a name.
Amazon rating: 4 out of 5 stars
My rating: 1 star

Plot: After he accidentally kills an undercover FBI agent, Frank Castle begins to contemplate his role as The Punisher. In the midst of this, a great rival steps up to seek revenge on him.

Review: I didn't much care much for the first reboot of the Punisher franchise, but I admit coupling it up with this new reboot, John Travolta isn't looking so bad anymore (no pun intended).

After spending years punishing mob families, Frank Castle hits a point in his life when he accidentally kills an undercover agent. Seeing retribution, he attempts to make peace with the agent's widow and daughter. When rejected, he confides in Micro that he will be leaving the whole Punisher bit behind him. No game, because Jigsaw decides to make an appearance to avenge his mangled face with the aid of his brother, Loony Bin Jim.

I've never been a big fan of Punisher comic books, but I know enough to "get" him and his reasoning. I also know how violent he can be, and if cartoon violence is what you want, then this movie is most definitely for you! Heads explode with just one gun shot, bodies explode as Frank propels a small missile like ammo at his foes - hell, he even has the ability (and one time shot) to bust up a guy's face badly.

That sorta violence mixed in with cliches and malformed characters - also the killing of a Punisher fave character - leaves the true fan a little disappointed, more so than with the first reboot.

Let's expect to find Punisher: War Zone in the discount bin at Wal-Mart in a matter of months, with the other two incarnations.